As a fashion designer wanting to specialize in pattern cutting and CLO 3D, I find immense joy in transforming concepts into tangible garments. My expertise lies in the precision and creativity required for pattern making, ensuring each design is both innovative and functional. CLO 3D has further honed my skills, enabling me to visualize and refine my creations digitally before coming to life.

A model in an elaborate, flowing gown with layered, skin-toned fabric poses against a backdrop of stacked wooden pallets, highlighting the unique textures and avant-garde design of the dress.
A male model stands in front of a white backdrop outdoors, wearing multi-panelled trousers and a fitted, silicone top with intricate medical stitch details.

This experience at Norwich University of the Arts has endowed me with a keen eye for detail, strong problem-solving abilities, and a deep understanding of garment construction. These transferable skills are invaluable in the creative industry, where meticulous planning and innovative thinking are paramount. I am eager to bring my unique blend of technical proficiency and creative vision to a dynamic team, contributing to projects that push the boundaries of design and creativity.

A female model stands in front of a white background indoors, wearing a flowing, see-through skirt and a fitted, silicone corset with threads to represent being stitched up from other emotions like craziness and insanity.
A female model leaning onto a male model in front of a white background indoors, wearing the looks of “Insanity” and “Healing”.
BA Fashion Design work by Courtney Spicer showing a Clo 3D animation of a woman cat walking a dress down a runway.
Open and view content in lightbox