My design practice is defined by my love of the handmade and organic, and how I combine these visuals with sharp, clean design to create something clear, yet unique in a mass-produced world. While I chose print as my medium to develop my visual communication skills, I’m not committed to it; I love to explore how these skills are applicable across formats. I chose publishing due to my interest in storytelling as how we make sense of the world – both through fiction and non-fiction.

A booklet on a stone-like background, bound with green raffia. The cover displays the eight letters of ‘Oleracea’, each in a different decorative font. Alongside are three internal spreads, displaying the decorative text in more detail.

I hope to design primarily for the conservation and environment fields. These are key issues of our time, and I feel that the best use of my skills is to contribute to action around these topics through effective communication with the broader public.

A paperback book with a cover made from orange natural fibre paper, debossed with a geometric design from a diagram of a wasp’s wing. Alongside main image are two flat double-page spreads and an image of the book lying open on a table.

However, I am interested in working in a wide range of graphic design contexts, and hope to tackle a variety of design challenges. Wherever I’m working, I hope to spend time on my interest in typeface design, making unique and custom fonts available to people.

A print in two layers, with neon pink and dark blue ink. A grid of white lines contains images in different combinations of colours, with the letters of ‘space shenanigans’ scattered around.
Flat images indicating three cover designs (front and spine) for books by Agatha Christie, with dark jewel tone backgrounds and text in bright colours, including green, pink, purple, white and yellow.
A poster on a black background, with ‘Otherlands’ in a serif font, a geological site’s name in English and the local language, Chinese, and some poetry. In a sans serif are exhibition details and the geographic coordinates of the site and of the museum. Inside the map shapes are an illustration of an insect with eye-spots, its species name and the time it is from.