I’m a generalist concept artist focused on mood, atmosphere, and worldbuilding, inspired by gothic architecture, haunting sci-fi, and melancholy fantasy. My work features immersive characters and environments, combining illustration with growing 3D skills. My research explored gender equality in male-dominated spaces—something I prioritise as a woman in the games industry.

A gothic steampunk Howl’s Moving Castle keyframe showing Sophie’s evolving, chaotic castle contrasting with the confined village Market Chipping, symbolizing her journey from restriction to empowerment and self-discovery.

In my FMP, I showcased strong female protagonists through environment design, such as reimagining Howl’s Moving Castle from Sophie’s perspective. I am passionate about adapting literature into visual art.

Model sheet displays turnarounds, full renders, and stylized materials with a gothic steampunk style, highlighting Sophie’s transformation through textured, bold silhouettes that reflect the project’s darker, emotional narrative tone.

I also led the M.A.R.S. music society and managed its social media, winning an award and developing communication and design skills.

A reimagined White Witch, Jadis, showing a corrupted arm symbolizing a nature-based infection. This portrayal adds depth and tragedy, moving beyond typical magical villain stereotypes toward a complex, empowered figure.

Game jams and projects with OddBug Studio and Infinite Form taught me project scaling, teamwork, and adaptability, strengthening my leadership, organisation, and creative problem-solving abilities.

Model sheet shows turnarounds and close-ups of a feminist Narnia scene. Blue-grey tones reflect winter’s end. The building combines Blender 3D modeling with detailed sketch refinements, inspired by Elden Ring’s dark fantasy style.
Concept art of Vulcanthys, a multiheaded volcanic flame dragon inspired by Yamata no Orochi and Zmey Gorynych. The design reflects deception, chaos, and relentless fiery destruction for Tails of Iron 2 DLC.