My name is Harrison Bedford, a type-driven editorial designer with a passion for work that challenges expectations. My final project, THIRTYSIXHUNDRED, is a 12-article magazine in which time, not rules, was the design constraint, producing something raw, varied, and unlike anything on the shelf.

For the final three months of my degree, I interned three days a week at Protect, a London clothing brand, proving I could manage live design work alongside my studies without compromising either. I thrive under pressure, care deeply about quality and impact, and want to create work that disrupts standards.

At the core of my practice is a belief that typography is not decoration but the backbone of communication. I use type to set tone, create tension, and give work a voice that imagery alone cannot achieve.

Legacy Serif, a fictional typeface collaboration with Nike, featuring deliberate ink traps giving the letterforms a distinctive cut and character, referencing the Swoosh.
A full editorial spread overview of THIRTYSIXHUNDRED magazine, showing 12 individually designed articles across a grid, each with a distinct visual style, typography, and colour palette.
Mint 400, a fictional pharmaceutical brand inspired by Fear and Loathing in Las Vegas, features 28 packaging variations channelling the film's drug-soaked chaos through collage and typographic disorder.
Nuffa Dat. A magazine about grillz culture. Ink-bleed typography bleeds and distorts across the page, set against a bold pink-and-yellow image anchoring the left side.
A spread for SPD, produced using sublimation printing on fabric. Written about Tekla Fabrics, the process was repetitive and raw, unfiltered by design.